Sacha Ferrier's Transcience exhibition ‘I know you’ve worked really hard on this,’ Tom begins cautiously, ‘but I prefer the first version…’. Tom’s always the first person to read my work, usually when it’s finished, so it’s rare to run anything past him at this early stage. The thing is, having finished my first chapter of the new novel, I keep having a mental ‘tickle’ that has to be scratched; what if I write this in the first person? We’re inclined to trust first person narratives and are often seduced by their immediacy, that sense of having direct access to a character’s thoughts, but I also liked the idea that first-person narrators are unreliable; memories change every time we retrieve them, or we may gloss over events and deceive ourselves about what really happened. The re-write proves to be an interesting experiment; I learn a great deal more about my protagonist, but I can’t quite tell why the story isn’t quite working until Tom gives me his reaso...
Christine Stovell, author and freelance writer, on living and writing in West Wales